Thursday, January 29, 2009

Blood of Christ

"And he took the cup, and gave thanks, and said, Take this, and divide it among yourselves. For I say unto you, I will not drink of the fruit of the vine, until the kingdom of God shall come. And he took bread, and gave thanks, and brake it, and gave unto them, saying, This is my body which is given for you: this do in remembrance of me. Likewise also the cup after supper, saying, This cup is the new testament in my blood, which is shed for you." - Luke:17-20, King James Bible

Pope Benedict XVI, Compendium of the Catechism of the Catholic Church. USCCB Publishing, Washington, DC: 2005. This 200-page volume offers a quick synopsis of the essential contents of the faith as promulgated in the Catechism of the Catholic Church.

This topic relates to my work in that I am paying attention to Catholic ritual and how it can be incorporated in my imagery without relying on icons. Similarly, since I intend to use mixed media this semester, I am searching out materials which relate to my work thematically.


Sunday, January 25, 2009

Kirsten Johnson

Kirsten Johnson is a Toronto-based visual artist whose work appears in private and public collections all over North America, Europe, Australia and Japan. She works mainly in oil and acrylic on wood.

I discovered her in a google-search for "sock puppets" my Freshman year of college, when I was making work involving sock puppets. (I feel so weird every time I say that. Explaining my projects to family members my Freshman year was actually kind of humiliating - "oh, I'm addressing the cynicism of our culture and times, as well as the inherent nature of play and uh... yeah, my first project I found a broken TV and set up a sock puppet show in it... um.")


Website

Gallery

Review

Wednesday, January 21, 2009

Adolescence

"There is a window of vulnerability in teens between puberty and mid-to-late adolescence in which kids have already started to experience the increased arousal of the socioemotional system, but they don't yet have a fully mature cognitive control system. Because their cognitive-control system is still not fully mature, it is more easily disrupted, especially when the socioemotional system is quite excited. And it gets excited by the presence of other people." - Laurence Steinberg, Professor of Psychology.

Santrock, John. Adolescence. Columbus: McGraw-Hill Humanities, 2007. Current research by Ph.D John Santrock; coverage of emerging adulthood, increased coverage of brain development, integrated and expanded coverage of health and wellness.

I've explored themes of adolescence in art in the past, though began to stray from it when I started the photography program. A lot of my work dealt with the elements of ourselves we lose as we reach adulthood; rather than focusing on loss of innocence, it was more concentrated on recovering those aspects of ourselves and examining a way they could find a possibly beneficial place in our cynical, adult lives.
I'd like to consider such themes in relation to my current work. Though the imagery I have generated in the past year is entirely different from the pieces I created dealing with the subject matter, I feel there is potential for it to be incorporated.

Kirsten Johson

Sunday, January 18, 2009

David Sedaris

David Sedaris (1956 - ) is American-born author who has several best-selling books, often autobiographical with pervasive dark humor. He began gaining recognition in 1992, published his first book (Barrel Fever) in 1994 and has continued since, traveling globally on lecture tours.

I have been steadily devouring David Sedaris's books since first reading Naked a year ago. I couldn't remember ever reading a book and actually laughing out loud, especially so hard and consistently. And for how many times I laugh, there are just as many when I'm simply blown away by the succint poignancy of a single line.

As a child, to deal with something difficult with humor felt wrong. It undoubtedly had something to do with Catholic guilt, but it took awhile for me to come to terms with my own dark humor. I still feel this tug in me, like hell might swallow me whole if I laugh at the wrong thing, but I also rely on it quite heavily. It's often that the only way I can deal with something, no matter how horrible, is to make jokes. To find a way to laugh at it.

David Sedaris is an eloquent vehicle for me to examine this and I mention him because I've started to see it show up in my work. It is something I would like to explore, possibly hone in on and apply more directly.

This particular paragraph from When You Are Engulfed in Flames hit me all over:

"A few months later a cage appeared on its doorsep. It was the type you might keep a rodent in, but instead of a guinea pig they use it to hold a pair of full grown magpies. Theyre good-sized birds - almost as tall as crows - and their quarters are much too small for them. Unlike parakeets, which will eventually settle down, the magpies are constantly searching for a way out, and move as if they are on fire, darting from one end of the cage to another and banging their heads against the wire ceiling. Their desperation is contagious, and watching them causes my pulse to quicken. Being locked up is one thing, but to have no concept of confinement, to be ignorant of its terms and never understand that struggle is useless - that's what hell must be like. The magpies leave me feeling so depressed and anxious that I wonder how I can possibly make it the rest of the way home. I always do, though, and its always a welcome sight, especially lately. At around 7:00 the light settles on the western wall of our house, just catching two of the hijackers and a half-dozen singer-songwriters, who look out from the windows, some smiling, as if they are happy to see me, and others just staring into space, the way one might when listening to music, or waiting, half-heartedly, for something to happen (182)."

Interview

Publisher

Website